/////////////////
《回魂記》/ Return
三頻道錄像裝置|尺寸因空間而異
3 Channel Video Installation|Dimensions Variable
以寶藏巖獨特的空間景觀作為拍攝場景,試圖重建《龍門客棧》的東廠頭子曹少欽、《養鴨人家》的孤女小月,以及《兒子的大玩偶》中的小丑坤樹。經由整理這些電影的文本研究,重返台灣社會曾經經歷的政治意識形態,以及社會與文化的樣貌。同時利用三首曾經風靡台灣社會一時的「混血歌曲」來重新詮釋這三個類型迥異的電影角色形象,描繪出我們與世界的關係,也思索當初形塑這些角色的時代精神,是如何還流連於現下時空。
In the project Return, Shake used the unique historical landscape in the Treasure Hill as the backgrounds and tried to reconstruct the roles Eastern Depot Tsao from Dragon Inn, adopted daughter Hsiao-Yue from Beautiful Duckling and joker Kun-Shu from The Sandwich Man. Through sorting the contextual research of these films, she went through the political ideology that Taiwanese society experienced, as well as the social and cultural overviews. And further, she used cultural elements from different eras to reinterpret these three diverse film characters, as to examine how these roles were being made in that particular era, and how that could be continued in the present time.
演出:張晉維/鄭孟涵/謝瑋秦
合作單位:台北市政府文化局
Performance: CHANG Chin-wei / CHENG Meng-han / HSIEH Wei-chin
Supported by Department of Cultural Affairs, Taipei City Government